Hardy’s famous correspondence with Ramanujan highlights an interesting aspect of the mathematics discipline; the appreciation of a mathematical expression prior to knowing its validity.
Why/how was Hardy impressed with Ramanujan’s early work on continued fractions if he didn’t even know they were true?
There is the proclamation by Hardy:
Must be true, because, if they were not true, no one would have the imagination to invent them
— G. H. Hardy, 1913
...which suggests there is some aesthetic to the expression that is noticed prior to any proof. What is this aesthetic? Is it the apparent symmetry? Some immediate familiarity to other known expressions?
Or is it simply plugging in numbers into the RHS and being able to immediately validate that it “must/should” be true?
See Robert Kanigel's book, The Man Who Knew Infinity, in particular the chapter "I Beg to Introduce Myself...". There is a decent amount of detail there about Hardy and Littlewood's process of investigation. Here are some excerpts:
So we can chalk up the decision to not classify Ramanujan as one of the many cranks that used to send letters as part familiarity with some of the results, part entertainment value of the results, and partially that there seemed to be more general results, leading to curiosity. You can find more details in the book I mentioned.